01 / FORMAT
FCPXML to AAF, explained
What Final Cut Pro exports, what an AAF carries, and how roles, source timecode and embedded audio fit together.
Practical notes for taking an edit from FCPXML to an AAF a sound team can inspect, open and use. Read the decision behind the delivery before you make it.
Start with the part of the handoff you need to decide, check or repair. Each guide stays close to the job at hand.
01 / FORMAT
What Final Cut Pro exports, what an AAF carries, and how roles, source timecode and embedded audio fit together.
02 / DELIVERY
A clear sequence: prepare roles, leave out what should not travel, export the XML, choose handles and import in Pro Tools.
03 / HANDLES
Choose how much audio to keep around each cut without confusing handles with a change to the edit.
04 / OPTIONS
A practical checklist for comparing FCPXML-to-AAF routes against the needs of your own workflow.
05 / REPAIR
Trace common delivery failures—from white noise and offline media to missing roles and multicam audio.
AAFx lets you read the project before it writes the delivery, so the session can be checked while the edit is still within reach.